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THIS IS THE STORY OF THE B-17 FLYING FORTRESS “MEMPHIS BELLE,” HER CREW AND THEIR 25 SUCCESSFUL WW II MISSIONS, FROM 17 MAY 1942 TO 7 NOV 1943.
Originally a public domain film from the National Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
The Memphis Belle: A Story of a Flying Fortress is a 1944 documentary film which ostensibly provides an account of the final mission of the crew of the Memphis Belle, a Boeing B-17 Flying Fortress. In May 1943 it became the third U.S. Army Air Forces heavy bomber to complete 25 missions over Europe, but the first to return to the United States. The first Heavy Bomber to complete 25 missions was a B-24 (41-23728 “Hot Stuff”). The B-24 “Hot Stuff” crashed in Iceland on 9 May 1943 on its return flight to the Zone of Interior. The second heavy bomber to complete 25 missions was a B-17 (41-24577 “Hell’s Angels”).
The dramatic 16 mm color film of actual battles was made by three cinematographers, including First Lieutenant Harold J. Tannenbaum. Tannenbaum, a veteran of World War I, was killed in action during the filming when the bomber he was in was shot down over France on April 16, 1943.
The film was directed by Major William Wyler, narrated by Eugene Kern, and had scenes at its station, RAF Bassingbourn, photographed by Hollywood cinematographer Captain William H. Clothier. It was made under the auspices of the First Motion Picture Unit, part of the United States Army Air Forces. The film actually depicted the next to last mission of the crew (see below) on May 15, 1943, and was made as a morale-building inspiration for the Home Front by showing the everyday courage of the men who manned these bombers…
Morgan’s crew had not flown all of its missions together. Captain Verinis had originally been Morgan’s co-pilot at the beginning of their combat tour but had become a “first pilot” (aircraft commander) in his own right on December 30, 1942, after which he flew 16 missions as commander of a replacement B-17 he named Connecticut Yankee after his home state. Verinis finished his tour two days before the rest of Morgan’s crew.
Nor was Morgan’s crew the one originally selected by Wyler for filming. He had been following Captain Oscar O’Neill (whose bomber was named Invasion 2nd) of the 401st Bomb Squadron until O’Neill’s B-17 and five others of the 401st were shot down over Bremen, Germany, on April 17, 1943… Wyler had a backup crew working with another B-17 about to finish its 25 missions, Hell’s Angels of the nearby 303d Bombardment Group. Hell’s Angels actually completed 25 missions first…
Morgan states in his memoirs that he was approached by Wyler in late January 1943 after his crew’s eighth mission. Wyler told Morgan he wanted to film the Memphis Belle and her crew because of “a certain mystique” to the aircraft’s nickname, and that Morgan’s reputation as a pilot meant that Wyler would be “in the center of the action…(with) a pretty good chance of coming back.” Morgan agreed after assurances from Wyler that the film crew would not interfere with operation of the airplane in combat in any way.
The first mission flown in filming was not aboard the Memphis Belle, but aboard the B-17 Jersey Bounce on a February 26, 1943, mission to Wilhelmshaven, Germany . The Memphis Belle was being repaired after severe battle damage incurred on February 16. The mission experienced heavy German fighter attacks and two of the 91st group’s B-17s were shot down. Despite the hazards, Wyler filmed at least six more combat missions with Morgan’s crew, not all of them aboard the Memphis Belle, using a set-up that placed mounted cameras in the nose, tail, right waist, and radio hatch positions. The camera setup is documented in the photograph of the Bad Penny, which Morgan and Wyler flew on a mission to Antwerp on April 5, 1943.
The 16 mm color film used did not include sound, and this was added later in Hollywood. The original crew, during their war bonds drive in the United States, made typical appropriate comments to each other while watching the silent movie in a studio. The result was difficult to distinguish from real combat recordings…